Tuesday 27 July 2010
Expo Expo ... read all about it!
Tuesday 1 June 2010
China + Canary
Friday 30 April 2010
Doritos
Tuesday 27 April 2010
Change of Plan...
Monday 19 April 2010
Choices, Choices, Choices.
Monday 22 March 2010
What a month it was.....
Wednesday 10 March 2010
Opening Night.....
Saturday 20 February 2010
Laughter is the key
Laugh and the whole world laughs with you! Its very easy to say, and yet one of the hardest to actually, honestly, do. Laughter is one of the most natural reactions for an audience to have. It is all about having an emotional connection to a character, both for the audience and the actor. To move the audience the character must be strong enough to strike a chord, to tug on some memory, to ignite something within the audience. It sounds simple; but its simplicity is the source of its complexity.
I think that many actors are more inclined to play characters written to make an audience weep with sorrow rather than howl with laughter. I’m not sure why?? Maybe we connect with sorrow more readily? Maybe we see some greater theatrical achievement in tears? Or maybe we just haven’t recognized that laughter moves an audience in exactly the same way that tears do. At Drama Centre we would describe this as becoming ‘mobile’ or losing your ‘weight’ a very technical way of saying, the feeling takes over your whole being, it consumes you in a way you have no control over.
This week I have been rehearsing for the Vagina Monologues. Many people misinterpret the Vagina Monologues as women ranting about how much they hate men; this couldn’t be further from the truth. The monologues themselves are based on real women’s stories and although they contain harsh truths … they are also extremely FUNNY! Yes, it is true. These monologues are so beautifully written that they could be read very simply and would still leave an audience feeling emotional moved. As a company, however, we don’t want the audience to simply hear a story, we want them to see a woman, to try and understand what she has been through, to relate to this woman; not just hear her words. These women are not defined by what has happened to them; they are strong, and beautiful, caring and proud and possibly most importantly, they are funny!! They laugh! They are able to enjoy life. This use of humour has played a very big part in rehearsal this week.
It is not an exaggeration to say that I mainly get cast as young children and victims (much to my dad’s dismay) and what I’ve found is that I’ve got very comfortable playing these characters. My body remembers postures and my voice can change almost immediately. The women I play in TVM are neither, child nor victim. One is a 72 year old woman (Monologue: Flood) and the other is a very happy middle aged woman (Monologue: He liked to Look At it); both are monologues that make me crease with laughter! On recollecting this to friends and colleagues alike I had responses ranging from ‘Oh my god I can’t wait to see you do that’, to, ‘but, you’re not a comedy actress are you?’ Firstly what the hell is a comedy actress? And secondly ahhhhhhhhh!!!
I tried reading the lines over and over again, different emphasis, different intonation. Nothing seemed to work, nothing felt natural! Until it clicked. I thought the characters were funny, but I didn’t see myself as funny. If there was still this difference between us; if we were still two separate people I realized I was never going to bring out the humour in her words. I realized immediately that neither character’s I am playing think they are funny, they are just being themselves, being honest! That’s when I let go. I started to have fun with it. I could be as big or as small with the words as long as they were connected, as long as I could feel and see everything I was talking about.
I still don’t know what a comedy actress is, and I’m not sure it’s a term I’ll ever understand. What I do know is that humour is an extremely powerful tool in theatre, and it is one that I want to use more. It joins people together, and flows through an auditorium with such immediacy and excitement, that you can almost feel it in the air. It adds dimensions to characters and actors alike, and ultimately allows the audience an openness and optimism that life can sometimes steal from them. We should all laugh more!! Big, mouth-open, belly-shaking, voice cracking, tears-welling laughter. And maybe then, when we’ve laughed together, and cried together, will we finally learn to work together?!
Monday 1 February 2010
Stepping Stones
Friday 15 January 2010
Keep Calm and Carry On.
Thursday 7 January 2010
Brand New Burst!
Sunday 3 January 2010
Start as we mean to carry on...
I have decided to write this blog because last year i never had time to remember things, i was so very hectic, and i know that i will have forgotten, misplaced, thrown away (however you wan't to say it) important lessons i learned. I also think that it is important to remember the journey that you go through to become what you want. I believe in 2010 i am going to come at least one step closer to achieving my goal.
This year i simply aim to be more than i am. More inspired, more focused and more determined and to initiate this change in me i have chosen to document all my experiences as an aspiring actress on here. Wish me luck xx